Cast: Alex Karpovsky (Paul Harris), Jamie Ray Newman (Danielle Jenkins), Amanda Good Hennessey (Linda Harris), Dennis Staroselsky (Chris Burke), Dakota Shepard (Kathy), Sean Sullivan (Detective Timmons), Richard Forbes (Detective Ford), Mariana Basham (Marsha Burke), Gabriel Kuttner (Ken).
(Note: this review has been cross-posted on Twitch.)
Actor and director Alex Karpovsky has been a fixture in the
past few years in low-budget American indies, many of which have fallen under
the rubric (though I hate the term) of “mumblecore.” In many of these films, both directed by himself
and by others, he is an affable and sardonic presence, who has drawn
comparisons in many quarters to Woody Allen.
Often in the characters he plays, a darker undercurrent is revealed that
lies underneath the friendly façade presented to the world. Up until now, at least in what I have seen so
far of his work, this all existed more or less solidly in the realm of
comedy. However, Rubberneck, his
latest film as director and lead actor, takes him into very different
territory; it is a moody and atmospheric piece, full of creeping dread, an
emotional reflection of its tortured protagonist. It is essentially a stalker tale, in the mode
of such films as Psycho and Peeping Tom; as a result, the
narrative trajectory goes pretty much the way one would expect once the
obsessive nature of its main character becomes fully established. But as the cliché goes, it’s about the
journey, not the destination, and Karpovsky delivers a compelling and
skillfully rendered trip through his character’s trauma-scarred psyche.
Paul Harris (Karpovsky), Rubberneck’s central
character, is a scientist at a research laboratory in suburban Boston ,
a starkly antiseptic environment that fits the mask of logicality and normalcy
that Paul wears, and which gradually slips away as the film progresses. This unmasking is set into motion in the
aftermath of one weekend Paul spends having a sexual tryst with his co-worker
Danielle (Jaime Ray Newman). Danielle
considers this a one-time thing, to the dismay of Paul, who eight months later,
is still unable to let go, and spends his days in tortured awkwardness at still
being in Danielle’s presence daily at work.
Even though he applies for work at other labs, he can’t quite bring
himself to leave his job, perhaps in the hope of rekindling, or rather,
beginning a relationship with Danielle.
His only solace during his longing is the time he spends with his sister
Linda (Amanda Good Hennessey) and her son, as well as satisfying his sexual
desires with Kathy (Dakota Shepard), a paid escort he frequents. Whatever faint hopes Paul harbors of getting
anywhere with Danielle are dashed when she begins seeing Chris (Dennis
Staroselsky), a new employee at the lab.
This unleashes the desperation, anger, and violent impulses that Paul
heretofore has very carefully hidden from others, leading to extreme and
irreversible consequences.
Rubberneck, written by Karpovsky and Garth Donovan,
impresses less with the explanations behind Paul’s pathologies than it does
with the use of its suburban settings and eerily stark interiors that surround
the protagonist and immerse the viewers fully in his headspace. Also impressive is Karpovsky’s performance, rendering
with chilly intensity this withdrawn and often opaque character who in many
scenes in the film is silently lurking and watching. Incidentally, this year’s festival offered viewers a chance to get a sense of Karpovsky’s range as an actor, and to
compare his work in Rubberneck with his more comedic role in Daniel Schechter's film Supporting Characters (which I also highly recommend).
Both films mark the continuing emergence of a remarkable talent both in
front of and behind the camera.
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