(All synopses from the official Cannes site.)
Adrift (À Deriva) (Heitor Dhalia)
Spending summer vacation with her family in Buzios, Filipa, a fourteen-year old girl, suffers through the rite of passage into adulthood while discovering love for the first time. A rite filled with anguish when she learns that her father, a famous author, is betraying her mother with a foreign woman who lives in the small seaside town. But, this secret is to be only the first in a series of others, both enchanting and painful, which she discovers about her family and herself as well.
Independencia (Raya Martin)
Early 20th century Philippines. The sounds of war signal the arrival of the Americans. A mother and son flee to the mountains, hoping for a quiet life. One day, the son discovers a wounded woman in the middle of the forest, and decides to bring her home. Years pass. Man, woman and child live in isolation from the growing chaos all over the country. But a coming storm soon threatens their existence, and American troops draw nearer.
Air Doll (Kuki Ningyo) (Hirokazu Kore-eda)
Hideo, who lives alone, owns a life-size “air doll”, which suddenly finds herself with a heart. Everything is new to her in the world outside Hideo's house. She meets all kinds of people. The world is filled with so many beautiful things, but everyone seems to have some kind of hollowness, just as she has. In the morning, she pumps herself up, and takes a walk. One afternoon, she meets Junichi who works at a rental video store, and instantly falls in love with him. A first date. New words she learns from him. She starts working with him at the store, enjoys talking and being with him. Everything seems to be going perfect, until something unexpected happens to the doll. A sad yet happy fantasy. This is a story about a new form of love.
Father of My Children (Le père de mes enfants) (Mia Hansen-Løve)
Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema—free and true to life—is precisely his reason for living. His vocation. It fulfills him and Grégoire devotes almost all his time and energy to his work. He's hyperactive, he never stops. Except on weekends, which he spends in the country with his family—gentle interludes, as precious as they are fragile. With his bearing and exceptional charisma, Grégoire commands admiration. He seems invincible. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire plows on at all costs. Where will his blind obstinacy lead him? One day, he is obliged to face the facts. In one word: failure. He is overwhelmed by fatigue. Which soon, secretly, turns into despair.